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SHANE SPEAL Cigar Box Guitar Rag

Shane Speal ( www.cigarboxguitar.com ) goofing on the three-string cigar box guitar. He's been playing this instrument for 13 years. It's simply a stick shoved thru a cigar box with three strings added. Free plans are on his website. Song Guitar Rag by Sylvester Weaver, 1923. Later made famous by Leon McAuliff as "Steel Guitar Rag."

25 Responses to “SHANE SPEAL Cigar Box Guitar Rag”

  1. I’m trying to make one of those guitars but I have alot of doubts, the pincipal is how I tune the guitar? standard? from which string?? I really appreciate the help…

  2. so fucking awesome…

  3. can you tell me what kind of strings you used? pleaseee

  4. ADG strings from a pack of John Pearse acoustic guitar strings

  5. thanks a lot

  6. sound like kazakh dombra a 2 string turkic long neck bowl lute

  7. thanks for the tips, saw some things I could use there in your finger work.

  8. This is soooo cool! I bet he could play the phone book!! :)

  9. what do you use for frets?

  10. My imagination

  11. normaly people use fretwire, draw or burn them in, or go fretless

  12. would the pin things on an acoustic guitar work to hold the strings on a cbg? (new to cbg’s)

  13. how i can i measure out the fretS?

  14. String it up and tune it then use a digital tuner to work out where the frets are, then simply mark it.

  15. OM!!G so cool the sound xD!

  16. Are you talking about Zither pins

  17. fab tone.

  18. no need for frets with a bottleneck :)

  19. Neato!

  20. go scalloped like a blues player

  21. I don’t get why people always go with the neck-thru design… I mean, I understand that gluing on a neck is a little more complicated, but wouldn’t the sound be a lot better?
    TBH i don’t really know, but I’ll be building mine within the next week, and it’ll be a “glue-on” neck

  22. Hey I’m going to be doing a glue on as well, good lick

  23. Neck-through design creates sustain in the finished instrument. But if you’re doing an acoustic with the central sound hole, go ahead with the glue on model. Just make sure to reinforce your box or string tension might be a real bugger.

  24. Ooh, never even though about sustain. I’m not too worried about that tho, I would rather have the better sound and power that comes with a “glue-on” neck and bridge.

  25. That’s because a thru-neck will handle the tension a lot better. stick with the thru neck, or else your instrument might fall apart in pieces.

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